【壞坏 Set BAD vol.3】

‍踩在泥濘的土壤上，意外發現土的可塑性，這可能就是人類使用土的起點。

陶土製作的過程中，有許多動態產生，經過手去進行堆疊、擠壓、塑形，製造出器物、雕塑等等，所有的動態都會持續影響著陶瓷成形的樣貌，並透過高溫的燒製產生出陶瓷化的結果。

何謂壞掉的作品？

土會呈現出每位創作者不同時期的狀態，即便創作者如何測試及規劃，壞卻在所難免，而所謂陶瓷的迷人之處就在於其不可預期的特性，意外，就是它最具獨特性的地方。

因為壞所以愛。

壞坏，透過可見「壞」的樣態，去顯現這些不可見的經驗與知識，與此同時，當這些原先被隱沒的壞坏成為展覽主體，壞的過程便能在這個滿滿的大平台上產生交流，共創美好的未來（坏坏坏）。

<sup>Stepping on the muddy soil and accidentally discovering the plasticity of the soil, this may be the starting point of human use of clay.

In the process of making clay, there are many dynamics, through the hand to stack, extrusion, shaping, making objects, sculpture, etc. All the dynamics will continue to affect the appearance of ceramic forming, and through the high temperature firing to produce the results of ceramization.

What is a bad piece?

The soil will show the state of each creator at different periods. Even though the creator has tested and planned the piece, it is inevitable that it will break, and the fascinating thing about ceramics is its unpredictable feature, the accident, which is the most unique thing about it.Because it is bad, it can be loved.These works allow us to reveal these invisible experiences and knowledge through the visible "BAD". At the same time, when the previously hidden " BAD" becomes the main issue of the exhibition, the process of bad can be interacted with this big platform to create a better future together (bad bad bad).</sup>